Emerson, G., & Egermann, H. (2018). Gesture-sound causality from the audience’s perspective: Investigating the aesthetic experience of performances with digital musical instruments. Psychology of Aesthetics, Creativity, and the Arts, 12(1), 96-109. https://doi.org/10.1037/aca0000114

EMERSON, Gina und EGERMANN, Hauke, 2018. Gesture-sound causality from the audience’s perspective: Investigating the aesthetic experience of performances with digital musical instruments. Psychology of Aesthetics, Creativity, and the Arts. 1 Februar 2018. Vol. 12, no. 1, p. 96-109. DOI 10.1037/aca0000114.

Emerson, G., und H. Egermann. „Gesture-Sound Causality from the audience’s Perspective: Investigating the Aesthetic Experience of Performances With Digital Musical Instruments.“. Psychology of Aesthetics, Creativity, and the Arts, Bd. 12, Nr. 1, Februar 2018, S. 96-109, https://doi.org/10.1037/aca0000114.

Emerson, Gina/Egermann, Hauke: Gesture-sound causality from the audience’s perspective: Investigating the aesthetic experience of performances with digital musical instruments., Psychology of Aesthetics, Creativity, and the Arts 2018, 96-109.

Emerson, G. und Egermann, H. (2018), „Gesture-sound causality from the audience’s perspective: Investigating the aesthetic experience of performances with digital musical instruments.“, Psychology of Aesthetics, Creativity, and the Arts, Vol. 12 No. 1, S. 96-109.